"There are risks and costs to a program of action. But they are far less than the long-range risks and
costs of comfortable inaction."
- President John F. Kennedy

If we produced your demos and you’ve been promoting as we recommend then here’s what you’ve been doing: you’ve been promoting yourself to BOTH talent agents nationwide as well as directly to Ad Agency Creatives (i.e. producers, copywriters, associate producers and assorted Creative Directors).
When done completely, consistently and CORRECTLY better than 70% of our clients attribute this aspect of the SOUND ADVICE process to their ultimate success in this field.
We remind you these are two separate and distinctly different types of promotions, and while we reiterate this point again, it still bears repeating to make sure we’re all on the same page. So, here’s how you do it for effective results.
Promoting To the Creatives
Promoting to the Creatives at Ad Agencies is done two regions at a time, ideally. Should you concentrate your efforts on the East Coast and the Midwest simultaneously, for example, this is best done by sending postcards to the same individuals every other week for three to five weeks in a row, thereby driving interests and traffic toward your demo web site.
In other words, each week of this Ad Agency promotion proceeds as follows:
It’s best if you follow this full mailing by beginning with yet another two regions such as West Coast and the South or Chicago. (Chicago is it’s own region among our mailing lists!)
As a reminder: promoting yourself to the Creatives does NOT require you have a talent agent first. So never let that stop you. The whole point of promotion is to make yourself known, drive traffic to your website, establish yourself as a brand through your demo logo and affiliate your name with voice-over. You’re creating a presence. Keep it professional.
Once you have all your materials printed, hosted, posted and prepped—NEVER wait to promote. Get it out there. This is your job from here on out.
Simply follow the 8-Week Game Plan we spelled out for you in detail in our May 2010 Newsletter.
Increasingly we’re finding numerous agents across the nation are encouraging email submissions alone. For these talent agencies, I give you the ‘EMAIL ONLY’ version of our submissions process. This can be done once a week for 8 weeks or every other week until you elicit a response.

Once again, it bears repeating, promoting to the talent agents requires a constant, consistent effort for at least eight consecutive weeks as one full promotional process including via email.
It may take at least THREE full rounds (24 weeks or more) to secure representation. It’s important to stay the course, stay positive, and continue promoting until you secure the representation that suits you best. Considering most talent literally waste years floundering doing absolutely nothing to secure proper representation you have to admit this beats the alternative!
If you are sent a response from a talent agent saying, “No thank you at this time.” Respond with a brief Thank you note right back. In most instances you will resubmit to this agent again in 6 – 8 months.
The downside of email submissions is recipients can opt out of receiving them, which is why postcards will not evaporate altogether from your promo. The frequency has certainly changed significantly over the last couple years, but nothing quite creates an impact like the tactile opportunity direct mailing affords.
It isn’t over till it’s over! So, by all means… please continue…

The primary function of a graphic artist is to create a versatile, memorable logo, known as an identity. The object is to establish you as a professional brand. Your continued promotion of this appealing brand is to entice others to listen to your demos because you appear to be a complete package. This means incorporating color, form, but most importantly making your name known and synonymous with voice-over. And even more specifically, define what you do best. Your graphic should look like your demo sounds.
Identity and branding are defined conceptually by describing what the subject represents. If the subject is ‘fences’, for example, describe ‘what’ this represents: home, ownership, pride, security, tradition. Get it?
So then, if the subject is ‘you’ as a voice-over, describe yourself to your graphic artist… conceptually. For example: quirky, youthful, wry, approachable, contemporary. Offer five to six words that best define how you are most likely to be perceived professionally.
So, suffice it to say, it’s not necessarily what graphic elements you like most that counts, instead it’s what represents you best conceptually as a brand. This is precisely why we art direct your graphics at Sound Advice—that’s a terrific asset that is innately part of our service. (This is a benefit typically reserved to talent represented by skillful, professional talent management.)
Far too often, especially when you’re only just establishing yourself as a professional, you’re too close to truly discern for yourself how you read commercially in order to ensure your graphics effectively represent the marketing focus of the demo itself.
Our intention at Sound Advice is to help shape a complete professional package. So we do our best to see to it you have effective, contemporary graphics that represents you well because it can mean the difference between your demo being heard or discarded.
So there you have it! This is why we invest so much attention to your graphic design and logo identity.

What do LOST (ABC), Ugly Betty (ABC), LAW & ORDER (NBC), Monk (USA), 24 (FOX) and Nip/Tuck (FX) all have in common? They all join the ranks of ‘what was’. No fear, we have two solid decades of LAW & ORDER re-runs to get through. That oughta give I Love Lucy a run for her money!
But aren’t they all rather groundbreaking? Without question. Will the masses suddenly find themselves having to entertaining themselves? Apparently.
What has the world come to? Hell, even As The World Turns (CBS) got the ax! And that puppy’s been on the air in some form or another for the better part of 54 years!! Okay, The Guiding Light (CBS) hit the skids too and it’s been on the air for 57 years. What will CBS put on in their place? Who cares, it’s gotta be fresher than those two. My guess is they jumped the shark back in the 80’s before Liz Taylor guest starred on General Hospital!!
Still one of my faves, Head Case (STARZ), starring Alexandra Wentworth is more than worth mentioning ‘cuz it’s flat out HI-larious, but sadly—no more. Even <>Flight of the Conchords (HBO) (double damn!) is now a goner. Even The Tudors (Showtime) has been done-in. (But let’s face it—we knew that one wasn’t going to end easy.)
Is it me, or does all this seem like a greater bloodbath than in years past?
Well, here’s the thing: there’s never been so many channels. We now have more than 2000 channels with standard cable service. Think of it! That’s a ton of programming. Heck, you can even create your own channel on YouTube now.
Still there are some really great things I must urge you to watch. I mean, I may be ducking a bullet here but, I love TV, there are some incredible things on and you could be missing them.
Case in point: Here’s my TOP five picks of the best stuff on TV today, with direct links to each so you can sample them for yourself!
I’m confident you’ll find they are ALL well worth watching. Happy viewing!!
Let me know YOUR own favorites, I love finding something new and intriguing I may have overlooked! But, don’t let anyone tell you there’s nothing on. And need I say it, be sure to really observe the ads playing ON-LINE during these shows. People are getting paid for the opportunity for you to view them. Let ‘em get their money’s worth!
Chicago: 773.772.9539
Los Angeles: 323.464.0990
info@voiceoverinfo.com
The FIFTH edition of
the SOUND ADVICE
Encyclopedia of Voiceover is available. click
here
Looking to produce and/or cast
your next audio production?
Check our sister company
Big House Casting and Audiio
Like radio theatre? Enjoy Audiobooks? Check out our
latest venture. Pin Drop
Audiobook Theatre Company